Considering how fond I am of gadgets, technology and all that stuff, you might be surprised to learn that I also hate having things change. I develop ways of doing things and I dislike having to change. But sometimes there’s no way changes can be avoided, and I’m dealing with that right now.
For something like 10 or 12 years a MacBook pro has lived in our kitchen, mostly on the kitchen table, dealing with day to day chores like handling my email, reading the news, sorting my photos and writing this blog. But after more than a decade of flawless service the MacBook is showing signs it isn’t long for this world and it is going to need to be replaced. But new MacBooks, especially the Pro version, are most definitely not cheap. I was looking at the MacBook Air which is very, very nice. But…
But then I saw my new(ish) iPad sitting there and started wondering why I needed a laptop in the kitchen at all. Why couldn’t I use the iPad for the same things I used the MB for? It’s the new generation iPad so it certainly has the processing power and memory to deal with 99.9% of the stuff I used the laptop for. I decided I didn’t need a laptop, all I needed was a keyboard for the iPad.
And here we are, the first post written and edited entirely on an iPad instead of the elderly MacBook.
The keyboard is – interesting? It you look at a newer iPad you’ll find 3 little gold dots along one edge. That’s how it connects to the optional keyboard. Magnets hold it in place. The keyboard folds up to cover the screen, and folds out to form a stand to hold it in place while typing. It’s a really slick design. There’s no physical connection at all except the magnets so the iPad can be pulled away to use by itself.
But do I like it? Not really. The keyboard isn’t exactly comfortable to use. It’s tiny, the keys are too close together, it is uncomfortable for someone with big hands, like me. Still, it isn’t horrible and it does work and I’ll probably get used to it. Biggest problem so far is trying to use a touch screen instead of a mouse and trackpad. I’m still trying to adapt to that.
It seems that the iPad can do pretty much everything I need it to do in order to replace the Macbook, but it’s going to be awkward for a while until I get used to this setup. It’s easy to copy and paste photos. It can even do some photo editing. So far I’ve been adapting. I don’t have my email switched over yet but that’s coming next.
So Let’s Talk About Toyota…
Toyota managed to p*** off just about all of its customers this past month by announcing that people who owned 2018 or newer vehicles were going to have to start paying a $8 a month subscription fee for a premium audio service they probably don’t want if they wanted to maintain the remote start capabilities of their key fobs. Now the whole story gets complicated and confusing and seems to be changing all the time as Toyota tries to do damage control. Basically here’s what Toyota claims is going on.
Sidenote: I should point out that leaving your vehicle running unattended, even if it’s locked, is illegal in a lot of jurisdictions and can you can get a citation for doing so.
According to the company the key fobs are going to lose the ability to remote start the vehicle because of something to do with the 3G cellular system is shutting down soon. Maybe? But this makes no sense at all because the key fob has absolutely nothing to do with the cellular system. The key fob works by a short range radio transceiver built into the fob, communicating via coded signals with another short range transceiver built into the car. The cellular network has nothing to do with it. And in any case why would key fob functionality be tied to the car’s stereo system to begin with? The explanations I’ve seen so far make absolutely no sense at all.
This is a software problem. Either accidentally or deliberately Toyota tied the remote start function to the premium audio system. If you don’t subscribe to the premium audio features, it is shut off, and the remote start is shut off with it. So rather than fixing the bug and rolling out a software update, Toyota is telling the owners of these cars they’re going to have to pay $8 a month for a service they don’t want in order to keep using a feature they already paid for.
While I’m complaining about stuff let’s move on to Tesla. The company has announced it is going to now cost you $12,000 if you want the self driving functions of the car to be enabled. Twelve. Thousand. Dollars. For a piece of software that, judging from the videos I’ve seen, doesn’t actually work very will and is quite possibly actually dangerous to use. And which now enables activities which are actually illegal, like performing rolling stops at stop signs. And even Tesla calls it a beta version of the software. That means it is still very much in the testing stage of development and is still being modified frequently and still has bugs in it.
And they want you to pay $12,000 to be able to use it.
Do I need to say any more about this? No? Good.
Let’s look at what’s coming up.
I’ve finally had a chance to work with a new bowl hollowing system from Simple Wood Turning Tools. I’ve been using some of their carbide turning tools for some time and really like them, and I’ve had their hollowing system sitting on the shelf and finally had a chance to use it. I liked it so much I want to take a closer look at it here. It just works really, really well. So keep an eye out for that in the future.
I’ve had some ”issues”, as they say, with my old laser engrave and have a new one on the way that is supposed to be coming yet today. Maybe. I hope. It has the rather unfortunate name of Laserpecker, but there’s nothing I can do about that. If it works half as well as the demo videos it should be interesting. It does have some problems that make me a bit nervous, like the fact that a lot of the accessories they advertise for it like the roller and traveling systems don’t actually seem to exist. But we’ll see. Hopefully.
Oh, and I promised you a dog! Here you go:
This is Dash. MrsGF’s sister just got this guy a few weeks ago. His hobbies include slobbering on people, trying to sit on laps, chasing toys and smelling things. Oh, and staring at you when you’re eating because you aren’t sharing with him.
That shiny black box up there (Oooo, shiny…) is the new Flashforge Adventurer 4 3D printer. As best as I can determine it became available for sale in early September of this year, and it’s the big brother to the Adventurer 3 which received more or less rave reviews when it came out. Flashforge has been making 3D printers for quite some time, and has a good reputation, and this printer is only going to enhance that reputation. I’ve had the A4 for almost two months and it’s been running almost nonstop since the day it arrived and I have been very impressed with it. It is currently selling for around $800 and considering how well equipped the A4 is, how well it works, and how easy it is to work with, that price is a bargain.
The A4 is a fused deposition modeling 3D printer, or FDM for short. This means it uses a solid plastic provided in the form of a thin filament which is heated to melting point and then extruded into a thin stream of liquid plastic to deposit many layers of plastic to build up the actual object. If you want a quick introduction to 3D printing in general you can take a peek at my earlier posting about how consumer grade 3D printers work and the different types here.
The A4 is big. This isn’t something you’re going to just plop down on your desk. At least not if you still want to use your desk as an actual desk. It’s basically about two feet tall and about 20 inches square. This printer is fully enclosed, so you’ll need even more space in order to get the doors to the build chamber and the filament chamber open. Plan on needing an area at least 32″ by 32″. And as for weight, it hits the scales at about 57 lbs. Print capacity is equally large, though. Print sizes can be up to 8.67″ X 7.87″ X 9.84″. And it can handle temperature ranges large enough to work with just about any kind of plastic filament on the market.
Overall appearance of the printer is excellent. A lot of 3D printers, especially the less expensive ones, look like they were cobbled together out of bits and pieces someone scrounged out of a box of parts left over from a different project. The A4 is one sleek, slick looking piece of equipment. They obviously put a great deal of thought into the overall design and appearance. Build quality is excellent as well. Everything fits together flawlessly. No creaks, groans or rattles from loose parts flopping around. It just plain looks good. I wouldn’t object to having this thing sitting in my living room. I’ve had fully enclosed printers before but they all looked like they were made out of bits of scrap metal or plastic they had laying around the factory already.
I do have one concern, though, and that’s how the heck am I going to fix it when it breaks? (Yes, it will eventually break.) How am I going to get at the filament feed motor? Or the motors that drive the screws that control vertical height? Or the motors that move the bed? How easy or hard is it going to be to disassemble this thing when I have to make repairs? Hopefully it will be a long time before I need to do that but my experience is that sooner rather than later I’ll have to replace something.
I’ve worked with several different 3D printers over the years and without a doubt the A4 was theeasiest to get set up and running. The hardest part was getting it out of the massive, waist high box. Then it was just a matter of removing the packing from the inside that kept everything from rattling around, plugging (yes, plug in, no tools needed) in the appropriate extruder nozzle for the temperature range desired, doing the automated (not automatic) bed leveling procedure, loading in filament, and starting to print. Literally within about 20 minutes of getting it out of the box I was printing. This printer is about as close to “plug and play” as I’ve come across.
A word about the print nozzles for the A4. Some people have been complaining about the fact that the A4 nozzles are proprietary and cost $25 – $35 each. Nozzles for other printers are little more than brass nozzles of various sizes and cost very little. But the A4 nozzles are not just the extruder openings, they are also the heating element that melts the plastic. There are advantages to having the heating element included in the nozzle itself that I won’t get into here. And all things considered $25 to replace a nozzle that will work for hundreds of hours before it needs to be replaced isn’t that bad.
The entire printer is controlled from rather nice, color LCD touch panel located on the front of the machine. It’s is crisp and clear and easy to read. I wish it were larger, but it’s big enough to read and the touch controls work well even with my big stubby fingers.
The first thing you’ll want to do with the A4 is connect it to your WiFi system. Yes, you can use it without WiFi, but I use it exclusively because the WiFi system has been working so well and has been so convenient to use. I haven’t bothered to explore the other options. Note that early reviews back in September indicated there were some problems with the WiFi system but I haven’t noticed any of those problems except for one minor glitch that is easily solved.
Once connected to your WiFi network the printer handles firmware updates pretty much automatically. Within a minute or two of connecting it to WiFi the printer told me that there was a firmware update available and did I want to install it. I did, and it downloaded and installed the update in a couple of minutes. It’s done 3 firmware updates since I got the printer and all three were done quickly and easily.
The panel gives access to all of the printer’s functions, settings and maintenance options, as well as a handy little help screen to give you info about many of the printer’s functions and how to perform various maintenance tasks.
Thanks in large part to the design of the built in software and that little touch screen this is the easiest to use 3D printer I’ve ever worked with.
I have big fingers and often when working with small touch screens like a cell phone or other device I’ll end up with the device not responding properly. I’ve had no such problems with the A4 doing such things. The built in software is simply excellent, easy to understand, clearly worded, and easy to use.
As noted earlier the A4 is completely enclosed, as is the chamber where the filament is loaded. A door on the right side opens to give access to the filament holder and feeder. The spool is held in place on a simple spindle. The door is held shut with magnets. It will accept any standard sized spool.
Loading filament into the machine is simple, and the whole process is automated. Just select the ‘change filament’ option on the menu. The printer heats the extruder to about 240C to melt any filament in the extruder and permit it to be withdrawn. The feed motor runs in reverse, pulling the filament out of the feeder and back into the spool holding area.
After the filament is withdrawn, remove the old spool and mount the new one, and then insert the new filament into the feeder and press the “continue” button on the display. The feeder will push the new filament into the machine and once it gets into the extruder it will pause a moment to let the plastic melt and then start forcing material through the nozzle to ensure that any remaining old filament is forced out and only the new material is being extruded. Then press a button to stop, and you’re ready to start a new print.
Occasionally I would hear a sort of clunking noise when doing a print, caused by the feed mechanism slipping. I discovered that this is caused by the feed mechanism trying to push filament into the extruder faster than it could be pumped through the nozzle. Increasing the extruder temperature by 5 – 10 degrees caused the problem to go away so I’m assuming that the optimum temperature for the filament I was using was a few degrees higher than was listed. Every batch of filament is slightly different so this didn’t surprise me much.
The bed or build plate of any 3D printer has to be absolutely level in relationship to the extruder nozzle and set to the proper distance. The first thing you need to do with any 3D printer is make sure the bed is level and set to the proper distance before you start printing. I’ve seen ads for the A4 indicating that it has automatic bed leveling. This is misleading. Automatic would tend to indicate that it does it by itself. It doesn’t. But the process is automated and far easier to do than other 3D printers I’ve used.
With the last one I owned leveling the bed with a pain in the neck. It involved moving the nozzle all over the bed, sliding a bit of card between the nozzle and the bed, and then fiddling with thumb screws under the bed. I’d do this at several points all over the bed. And then do the whole thing all over again because moving one thumb screw would change the angle of the bed and screw up the distances at other points on the bed. It was basically a time consuming, fiddly and annoying job.
The A4 gets rid of the thumbscrews entirely, and the whole process is painless. It’s all done through software via the control panel.
You start the leveling process from the touch screen. The A4 places the bed in the proper position and then lowers the extruder down to what it thinks is the right height over the bed. A strip of what looks like thin, flexible stainless steel is provided to use as a thickness gauge.
You slide the gauge in between the build plate and the nozzle. The ideal distance is when you feel just barely a bit of resistance when the gauge is slid between the plate and the nozzle so the nozzle is just barely touching it. If it moves too freely, the nozzle needs to be lowered. If you can’t get the gauge between them at all or it feels too tight, you need to raise the nozzle. And that’s also done on the control panel. This process is repeated at nine different points across the surface of the build plate. It takes only a couple of minutes, there’s no fumbling around with screws to adjust the plate, it’s about as easy as it gets.
Some minor changes in the positioning of the height as the printer is used is to be expected. The surface of the plate wears over time, temperature changes can cause things to move, and just the stresses and mechanical movement of the parts of the printer can cause slight changes in dimensions so it’s a good idea to level the bed occasionally even if you don’t see problems with the printing process. The A4 is better than most printers in this regard. I’ve only done the leveling process three times in the two months or so that I’ve had it. I’ve seen 3D printers where the bed had to be leveled after almost every print.
While I’m on the subject of the bed I should point out that the A4 has a removable print bed or plate. The two back corners of the removable plate slide into slots at the back of the carrier, and the bed itself is held down by powerful magnets. The plate is also flexible allowing you to bend it to help break a printed object free of the plate. I really, really like this system. When a print is done I can take the whole thing out of the printer to make it easier to get the object off the plate.
You do have to be careful to get the plate firmly and fully slid into the slots at the back of the platform, and make sure there is no debris, bits of plastic, etc. laying on top of the carrier before you insert the plate.
Two plates were provided with the A4. The plate itself is very sturdy and covered with some kind of coating that is supposed to allow plastic to adhere to it during the printing process, but still let you get a completed print off it without having to resort to a hammer and chisel. As you can see from the photo of the plate itself (the one with the blue handles) mine is quite worn. I’ve been running this printer almost 24/7 since I got it and I’ve built dozens of objects on that plate. Despite the wear it is still holding up well.
The coating on the plate is tough but it can be damaged. I managed to scratch one badly when using a steel tool to try to get a print off it. But in normal use these plates should last for a long long time. Replacements are available. I ordered three spares at $18 each from Flashforge’s website and they arrived (shipped directly from China) in about two weeks.
The A4 also comes with other goodies. As noted, it is completely inclosed. This not only provides a more stable temperature environment that should improve the quality of the printed object, it permits the addition of a ventilation system with HEPA and charcoal filtration to reduce fumes and microplastics getting into the air in your work area. It isn’t going to do much to reduce toxic fumes from some types of plastics. That would need far better filtration than just a charcoal and HEPA combination. But it will help to reduce smell and plastic particles getting into the atmosphere. Replacement filters are available from the company.
It also has a built in camera which, while kind of a fun thing to have, isn’t really all that useful. The camera can be accessed from the FlashPrint software or supposedly the video can be streamed to “the cloud” so you can watch your printer chugging away while you’re on vacation or something I guess.
IMO the camera is little more than an interesting novelty. The video quality is, frankly, terrible. I have a $60 “action camera” sitting on the shelf that makes better videos and still images than this thing does.
Having the print bed and the extruder at the proper temperatures during the printing process is essential. I used a Fluke 62 infrared temperature gun to check the temps of both the extruder and plate during printing and found the temperatures were within +/- 1.5 degrees of what the printer was set to in the software. That’s pretty much spot on, so no complaints there either.
What really matters, of course, is how good does it print? The slick appearance and fancy user interface and all of that doesn’t mean anything if the print quality isn’t up to snuff. Fortunately the A4 excels there as well.
That’s an extreme close up of a part for a submarine model I printed with the A4. The vertical lines are part of the design. If you look closely the quality is quite good. Edges are crisp and well defined, the surface is smooth. Basically this is about as good as it gets when it comes to consumer level FDM printers.
It’s a bit easier to see details with this red plastic. Another extreme closeup showing how well the A4 reproduces fine detail where the cloth folds and the hand slips into the pocket.
Even these tiny claws turned out pretty well. There is a bit of roughness around the edges but even the knuckle joints on those tiny claws turned out pretty good. Those “fingers” up there are only about 1 – 2 mm wide so getting that kind of detail is pretty impressive, IMO.
The Software: FlashPrint 5
Of course the software on the PC side of things can be just as important as the printer’s hardware. FlashForge included FlashPrint 5 on a USB stick, and that’s what I’ve been using with the printer since I got it. Early reviews were not kind to the software but my experiences with it have been extremely positive so I suspect those early reviewers were working with a pre-production version that wasn’t ready for release.
FP5 is a slicer and a control program (sort of) for the A4. As a slicer it worked well. It handled every .STL and .OBJ file I threw at it. It can scale objects up or down in size, move them around the build plate, add supports if necessary, and give complete control over every aspect of the printing process.
Once the object is sliced you can look at every detail of what’s going on, all color coded, and then proceed to either save the sliced object to your computer, to a flash drive to plug into the printer, or stream it via WiFi to the printer. At first I saved projects to a flashdrive that was then plugged into the printer, but WiFi has been utterly reliable and far more convenient so I’ve been using that exclusively now.
There are some minor issues with the software. The automatic support generation has some problems. It regularly misses areas that definitely need some kind of support structure, and it often inserts supports where they aren’t needed. When adding supports you’re going to have to very carefully go over the entire object to make sure supports are properly placed. Fortunately adding supports manually is not hard to do. But I’ve had to do that with every slicer program I’ve ever used.
The user interface could use some work to organize it better and make some of the options easier to find but overall it isn’t bad and I’ve seen much, much worse.
In my opinion the A4 is just plain good. The $800 retail price isn’t exactly cheap but you’re getting one heck of a good 3D printer for the money. It is very well made, extremely easy to use and the quality of prints has been excellent. This about as close to being a plug and play system as I’ve seen.
The removable build plate system works very well indeed. The automated bed leveling system works well. It can automatically re-start a print in progress if something like a power failure interrupts the print. It has a huge amount of memory built into it so it can store frequently printed objects internally so you don’t even need a computer connection or a flashdrive to run off multiple copies of an object. I haven’t really found anything about this printer that I don’t like.
Are there some problems or issues? Yes, but those have been very minor.
WiFi – Occasionally the Flashprint software will lose connection to the printer, or the printer loses connection to the computer running Flashprint, after a print job has completed. In every case turning the printer off and then back on has cured the problem. After the most recent firmware update losing WiFi has become extremely rare.
Flashdrive problem – Occasionally I’ve had the printer simply lock up when trying to load a file off a flashdrive plugged into the USB port. It will start loading the file and then just stop and the screen goes blank and I have to do an off/on cycle to recover. But those exact same files will print if sent over WiFi. I have no idea why. It hasn’t been a real issue for me because I always send prints to the A4 via WiFi, but it is something I thought I should mention.
The system that senses whether or not filament is present seems to have failed. This just happened while I was writing this and I haven’t had a chance to investigate yet. The printer would stop with an error message that there was no filament, even though there was. Fortunately that can be shut off in the printer settings and I’ve been able to continue using it, but that’s something that I’m going to have to look into. Personally I can live with not having a filament sensor. I’m pretty good about making sure there’s enough filament loaded into the machine before I start a print. If worst comes to worst and the sensor needs to be replaced it looks like it costs a whopping five bucks.
And that’s about all there is. If you’re looking for a good quality 3D printer you really should take a close look at the Adventurer 4. It’s been running here nearly nonstop for almost two months now and it has been very, very good.
I’ve been dabbling with 3D printing for many years now and I’ve mentioned it in the past, but I haven’t talked about it here in ages. But I just got a new 3D printer and wanted to do a mini review of it after Christmas. While I was working on writing that up someone pointed out that while almost everyone has heard about 3D printing very few people who haven’t actually used one of these things know how they really work. He suggested I should first explain how it works and what the different types are so people know what I’m talking about when I start babbling about things like bed adhesion and feed rates and extruder temperatures in the review later. And since it’s late December, it’s cold and dark outside and I have some time on my hands, why not? So let’s go.
When 3D printing technology first appeared, visionaries told us it was going to revolutionize everything. They proclaimed a future where every home would have its own printer and instead of going out to a store and buying something you’d simply download a file from some central depository and print what you needed right there at home. But I remember what those visionaries said about the future when I was a kid. According to them by this time I should be able to jump into my personal flying car, go to the nearest spaceport, take a few days off on a vacation on the moon and come home to find that my personal robot, Jeeves, has remodeled the bathroom for me and has a gourmet lunch waiting when I get home. So whenever “visionaries” start spouting off, I tend to ignore them entirely.
That’s kind of what happened with 3D printing at the consumer level. To be fair 3D printing has indeed become extremely important. In industry, in research and development and even in medicine it has become an essential tool. But in the home? Not so much. At the consumer level, with printers people like you and I can afford, 3D printing is little more than a novelty, a toy, really. Can it do some useful things? Yes. But let’s face it, most home 3D printers are going to be used to print out trinkets, key fobs, the occasional Star Wars figurine and similar tat. If you can afford to drop $400 or more on a decent 3D printer just to play with it, good for you. There is nothing wrong with that. We spend a hell of a lot more than that on hobbies and toys. But you need to remember that for the average person a 3D printer is never going to be a practical investment.
How Does It Work
At the consumer level there are two basic types of 3D printers, fused deposition modeling and stereolithography. And because no one wants to have to keep typing ‘fused deposition modeling’ and ‘stereolithography’ all the time, they are usually referred to as FDM and SLA. Both types of 3D printing work by creating multiple layers of plastic in a specific pattern to build up a complete object, but that’s where the similarities end. Let’s look at FDM first.
FDM works by taking a solid plastic provided in the form of a filament that looks like thick wire and comes on spools. This filament is heated until it melts and then is forced through an extruder nozzle and deposited onto a build plate in a thin line usually less than .5mm thick. The extruder (and sometimes the build plate as well depending on the model) moves from left to right and back and forth and up and down, in a specific pattern determined by the software controlling the printer, that pattern being a three dimensional object created in a CAD program or 3D modeling software. Here’s a brief video of my new printer at work to give you an idea of what’s going on.
As you can see in the video with this particular printer the extruder, or print head, moves from left to right and up and down, while the build plate moves back and forth. With some models the build plate remains stationary and only the extruder moves. You can’t actually see the extruder moving up after it finishes depositing a layer because it’s only moving a fraction of a millimeter.
With early versions of FDM printers the end results were pretty crude and the size of the objects you could make was very small. But modern printers can reproduce extremely fine details and the size of the object being built has increased greatly. If you look at the photo on the right you’ll see one of the first test objects I tried on the new printer. I use this figurine to do testing because it is a challenge for a lot of FDM type printers. It has to reproduce some very small details like the strings of the hoodie and the shoe laces. It shows how well smooth details like the legs and sleeves are reproduced. It also shows how well the printer can deal with a variety of issues that can cause problems. The 0bject was scaled to push the printer’s size limitations as well. You can see from the ruler alongside that the print is over 8 inches tall. If there are any issues with the extruder positioning systems they tend to become more obvious on taller objects.
The filament comes on spools like the one over there on the right. It is available in just about every color imaginable, including clear, translucent and even glow in the dark plastics. The better printers can use a wide variety of different plastics as well that include ABS, PLA PC, PETG, PLA-CF, PETG-CF, nylon and others. There are even plastics that mimic the look of materials like wood and stone. The filament isn’t hugely expensive. The most commonly used types like ABS, PLA and PET sell for about $18 – $25. The stuff I am currently using sells for about $20 for a 1 kg spool, and you can print a lot of stuff with one spool.
Nothing is perfect, of course, and FDM technology has its share of problems. They keep getting better and better as manufacturing technology and software has become more sophisticated but they still have some issues, some of which can be difficult to deal with.
FDM type printers are mechanically complicated for one thing. There are drive motors, drive belts, gears, screws, sensors, heaters, fans and other systems built into that printer, and all of it has to be manufactured to extremely tight tolerances.
(Note: The printer will, sooner or later, also break, which means it will have to be repaired. That means either you’re going to have to ship it off somewhere to get fixed which is a pain in the neck because of a lot of these printers are physically big and rather heavy, or you’re going to have to fix it yourself.)
Unless everything works perfectly and you have the temperatures set exactly right, the speeds exactly right, etc. you can end up with what you see over there on the right. That’s a tool holder that I printed a long time ago on a printer that is now, thankfully, long since gone. You’ll see a lot of the issues that plagued the early versions of FDM printers and still afflict some of the ones on the market. You can see delamination, where the deposited layers are pulling away from each other. You can see the layers often are irregular and uneven, indicating possible problems with feed rates and possibly temperature issues and problems with positioning the extruder. There is warping of the object. There is a whole list of things that went wrong here even though I had the printer set up properly and the temperatures set correctly. Fortunately modern FDM printers are much, much better than the one that created that mess up there. When everything is set up properly what you get should look like the photo below.
3D printing is fiddly. Everything has to be exactly right in order to get a good print. And as I said the technology has improved a great deal and most systems will have default values that will work just fine under most circumstances, but you need to be prepared to start fiddling around with things if everything doesn’t work as you expect.
3D printing is also slow. Very, very, very, very slow. That tool holder in that one photo up there takes about 20 hours to print. Seriously. If I remember right the figurine in red plastic took 17 hours. If you get involved in 3D printing you need to have patience. Lots and lots of patience.
Another issue that crops up all the time with FDM printers is the build plate. This is the platform on which the plastic is deposited. It isn’t just a flat surface that the plastic is laid on. It has to hold the object tightly enough so that it remains anchored down so movement, vibrations, the extruder snagging on a bit of stray plastic and the like doesn’t shove the object out of position or tip it over as happened with that little ball over there on the right. The ball got knocked over and the printer went merrily on its way depositing filament into thin air because it has no way of knowing if there is actually an object in place or not.
So the bed has to be able to adhere to the plastic tightly enough so that the object being made doesn’t move. But at the same time it also has to be able to release that object from the bed when the print is done without you having to resort to using a hammer and chisel. Which, by the way, I’ve had to do once in a while.
Fortunately the technology has gotten better there as well and they’ve come up with materials that work much better. Some have removable, flexible build plates. You remove the entire bed from the printer, flex it and, in theory, the object pops right off.
The build plate or bed also has to be absolutely level and parallel to the extruder nozzle across the entire range the extruder travels over. This means having to go through a process called bed leveling, where the extruder is brought down until it is just barely touching the bed, then adjusting the bed height so a piece of paper or thickness gauge can just barely be slid between the extruder nozzle and the bed. The adjustment is often done with multiple thumbscrews located under the bed. Then this process is repeated at multiple points across the entire surface of the bed. And once you’ve done that, it’s a good idea to do it all over again because adjusting one of those leveling screws can mess up the adjustments on the others. And I assure you that it is a royal pain in the ass sometimes. I had one printer where I had to do that every single time I used it.
Fortunately the better printers on the market have come up with solutions to this problem. Some have automatic bed leveling systems to deal with it for you. Others have developed leveling systems that, while they aren’t fully automatic, make the process much, much easier.
Then we come to the plastics themselves. There can be problems there as well. Some of them are downright toxic. There’s no way to get around that. These days I work almost exclusively with PLA, polylactic acid, which is pretty benign. (I also use PET which is relatively safe as well.) PLA is made from plant starches from sources like corn and sugarcane. It is considered food safe. And it emits no toxic fumes when heated. It’s often used for food packaging. And it is biodegradable (sort of) so PLA waste material isn’t going to be laying around for hundreds of years. But PLA has some issues as well. It is relatively brittle, so it isn’t going to work for applications where an object needs to flex. It can warp and distort when exposed to high temperatures so objects made from it shouldn’t be exposed to heat sources and it is not UV resistant so it shouldn’t be used in direct sunlight.
PET is also relatively safe and is considered to be food safe. Some of the PET filaments on the market are made from recycled soda and water bottles. It is also much tougher and more flexible than PLA. But it also requires higher extruder temperatures so not all FDM printers can use it, and can be a bit more tricky to work with.
Other types of filament are not so benign and some are downright nasty, especially when heated. Some varieties give off fumes which can be irritating and even are potential carcinogens. That isn’t to say those types can’t be used, it’s just that you need to take basic precautions like proper ventilation if you do choose to use them.
And for those of you concerned about things like microplastics getting into the environment, yes, there is some risk of that happening with FDM printers as well. The printing process can result in very small particles of plastic getting into the atmosphere. However printer manufacturers are now realizing this and some of them are doing something about it. The one I just bought is completely enclosed and includes a HEPA and charcoal filtration system.
Let’s move on to stereolithography, printing systems. I don’t own an SLA printer but I do know how they work, so let’s take a look.
SLA printers use an entirely different technology than the FDM variety. It also builds up thin layers which will eventually become the desired object, but instead of depositing melted plastic it uses UV lasers (or at the consumer level UV LEDs) to “draw” each layer in a liquid resin that hardens when exposed to UV light. Here’s a 2 minute video off YouTube that shows how it works. This video is from a specific printer company, but what you see happening here is how most SLA printers work.
Note that I am not recommending printers from this company. Their printers are very, very nice and I’d love to have one but dear sweet lord they’re expensive! The last time I checked out their prices the cheapest one they had was in the $3,000 range and they ran up to well over $10K. These printers are aimed at the professional market, not at the hobbyist. Still, it’s a pretty neat little video and it gives a good illustration of how SLA printers work. Also understand that this is a company promotional video so they aren’t showing you all of the problems that can and do crop up, nor do they talk about safety.
In many ways SLA printers are superior to FDM printers. They generally have much better resolution, meaning they can make objects with much finer detail than FDM printers can. They are often faster than FDM printers as well.
SLA printers also have some fantastic resins to work with. The color choices are amazing, and the material types range from soft and flexible to rock hard. And the materials used can be far more durable than the plastic filaments used in FDM printers.
But there are problems here as well otherwise everyone would be using SLA printers and the FDM types would have gone obsolete long ago.
If you follow this blog you know that I work with liquid resins quite a bit, and I’ve mentioned before that some of these resins can be dangerous unless you take adequate safety precautions. The same is true of some of the resins used in SLA printing. Some of these products are nasty and probably shouldn’t be used in a home environment at all. There are some resins that claim they are safe to work with and don’t require any special handling or ventilation but even with those I’d still be cautious.
SLA printers are also just as fiddly to set up and get working properly as FDM printers are. In some cases they’re even harder to get set up and working properly than an FDM printer.
They’re messy. The build plate is moving up and down into a tank of liquid, and you can be sure the resin is going to splash around. Some printers are worse than others. It depends on how the tank system and build plate is designed. Even with the better ones though you can plan on spending a considerable amount of time cleaning the interior of these things after every print.
Once you have a finished SLA print, you aren’t done yet. The print has to be washed to remove the uncured resin clinging to it. Some resins are water soluble and can be washed in plain water. But other resins need to be washed in chemical solvents, often isopropyl alcohol, which has its own issues. Alcohol fumes are not good to inhale, the stuff is highly flammable, etc. And while it’s not all that expensive, it adds even more expense to the whole process. (You’re also going to need chemical proof gloves because uncured resin is something you most definitely do not want to get on your bare skin.)
And after washing you still aren’t done. Now you need to fully cure it using a special UV lighting system to fully harden the plastic. Working with UV light has its own set of safety issues. High intensity UV lights can cause eye damage.
Of course manufacturers will gladly sell you UV lighting systems to cure your print, and even washing systems. All of which adds even more expense. If you need a UV curing box, which you do, that will add about $100 or more to the cost unless you make your own. If you want to get a washer to make the messy job of washing your prints a bit easier, look to spend another $100 or so. So that $300 SLA printer that you picked up off Amazon now has cost you $500 or more.
Another problem is the build plate. As with FDM printers you can have a problem getting things to stick to the bed. Same is true of SLA printers, and this is made worse by the fact that these printers print upside down. The object hangs from the build plate. Thanks to gravity and suction from lifting the plate up out of the resin tank hundreds of times during the process, the object being printed can fall off the build plate into the resin tank below. especially as the object gets bigger and heavier.
And there can be other problems you won’t find with FDM printers. I’ve heard some people claim that some types of resin give off fumes that can cause the plastics used in making the printers degrade over time. One fellow told me that fumes from resins he was using caused the protective cover to craze and become opaque. Another told me that he has to use alcohol to clean up the interior of the printer after a build, and found that the plastics used in the construction of the printer softened and even started to dissolve when exposed to the alcohol he had to use to clean it.
The UV light source in the printer has a limited lifespan, whether it is LED or laser. Eventually the light source is going to have to be replaced. Replacing those can be difficult, and the parts are not cheap.
Personally I would like to experiment with an SLA printer but at the moment I think the drawbacks outweigh the benefits, at least for me.
The hardware is just one part of the system. Just as important to the whole process is the software. You’re going to need what is generically called a slicer program. This is a piece of software that takes a 3 dimensional CAD file and converts it into the instructions the printer needs to actually build the object. There are several out there. Some will only work with a specific printer. Some are open source, free, and can be adapted to work with a variety of different printers. Some are commercial products you have to pay for. Most likely when you buy a 3D printer it will come with a slicer program of some sort that has, hopefully been tested and tweaked to work with the specific printer it came with.
Best advice I can give you is to use whatever slicer that came with your printer at first or which is recommended by the printer manufacturer. Once you have some experience and begin to understand how the software works, how things like temperatures, feed rates, etc. can be adjusted, then you can start to look at other options if the program you have doesn’t meet your needs.
Now we come to the question of what you’re actually going to print with the thing once you get one. You’re either going to have to design objects to print yourself using CAD software or find objects designed by other people who have provided the necessary files to plug into your slicing software to print yourself. And since most of us aren’t whizzes at CAD, that means finding already created objects that you might find useful and/or entertaining.
There are numerous sources for hundreds, even thousands of objects that people have designed to be 3D printed that they’ve made available for free on the internet. One source is Thingiverse where you can find hundreds and hundreds of objects you can download and print yourself, for free. If you need a specific item like, oh, let’s say a bracket for an out of production vacuum cleaner, you’re probably on your own and you’re going to have to design it yourself with a CAD program of some type.
What Does It Cost. Really
If you’ve read this far you’re obviously interested in 3D printing, perhaps enough to be thinking of getting one yourself. So which one should you get and how much is it going to cost? And the answer to the question is a very unsatisfying “It depends”. (I am going to ignore SLA printers because I don’t own one and haven’t done any research into what the current models are like)
It depends on what your goals are. If you’re just interested enough to want to fiddle around with 3D printing without sinking a lot of money into it you can get a fairly decent 3D printer like a Creality Ender 3 for about $200. It has decent reviews, but it is not enclosed and comes disassembled and takes a few hours to put it all together. For $100 more you can get a Flashforge Adventurer 3C which is fully enclosed, requires no assembly, works with just about any type of filament and is, arguably, all around a much better printer. (There were teething problems early on with the software but those issues seem to have been solved.)
(Side Note: One printer I would avoid is Dremel. I think they are over priced and the company’s warranty information indicates that using non-Dremel filament voids the warranty on the print head/extruder nozzle. Out of the box Dremel printers will only work with the company’s branded filament because it uses odd sized spools, and standard spools of filament won’t fit in the machine. And their filament is almost twice as expensive as the other brands on the market. Oh, and they’ve started to add RFID tags to their spools, supposedly for your convenience, to let the printer automatically select the proper temperature ranges and other settings. But considering the way things have gone in the paper printing business, i wouldn’t be surprised if the company goes the same direction as HP, Brother and others and modifies the software so the printer will work only with Dremel’s branded filament.)
If you’re more serious, want a printer with more bells and whistles, a larger build volume, higher accuracy, etc. you’re getting into the $800+ price range. Not exactly terrible but not exactly something you’d want to buy on impulse or to just print out toys and trinkets either.
I’m not going to tell you what to buy because everyone’s needs are different. You need to decide what your goals are for the printer, what your budget is, and do some research.
But this brings us to…
Why You Probably Don’t Need One
Now 3D printers, despite all their problems, are undeniably great fun to play with. But do you actually need one? No. Unless you are in a business that designs products, needs to fine tune prototype designs before going into production or has other needs for one where the ROI (return on investment) makes sense, no, you don’t. In their current state of development consumer grade 3D printers, whether FDM or SLA, are little more than toys. They’re great fun to fiddle around with but from a practical standpoint they’re useless for the average consumer.
Yes, there are literally thousands of .STL files of objects that you could print. But 99.999% of those objects are going to be things like anime figurines, cute little tchotchkes, visual puns and jokes, parts for obscure and/or obsolete machines you don’t own and don’t care about and mundane objects like little boxes and containers that you could pick up at the dollar store for far less than what it would cost to 3D print them.
Sometimes someone will come up with a practical application. My eldest son builds replacement power supplies for obsolete “collector” computers like the PC Jr and uses his to make brackets and switch holders and other plastic parts that simply aren’t available any longer or which had to be redesigned to fit the new parts. I use mine to make specialty parts for experimental antennas and the occasional special purpose enclosure. But I have to admit that mostly I use mine to make, well, anime figurines, cute little tchotchkes and other silliness.
So, what happened to Part II of the resin series? There have been problems. Massive ones. This has turned into a situation where everything that can go wrong, has. Stuff like this…
Chipping, pitting, cracking, warping… I’ve had some messes on my hands before but I’ve never run into one this bad before. What makes it even more frustrating is that I don’t know why it’s doing this. All I can think of is that the resin I was using had been sitting on the shelf for too long. Maybe?
I got so frustrated I just let the thing sit for a while and I was seriously considering just chucking the whole thing into the fire pit. Fortunately a new 3D printer arrived to distract me and after playing with that for a few days I got back to work and eventually ended up with something that wasn’t so bad I would be ashamed of showing it in public. I ended up having to resort to using 60 grit sandpaper to get all of the pits and chips out and doing the final shaping because even touching it with a lathe tool did nasty things to it.
Resorting to 60 grit sand paper… Oh the shame of it…
Anyway I’m editing some video right now and collecting photos and hopefully will have all of this finally wrapped up pretty soon here.
Also in the que is some stuff about 3D printing, including a quick review at the Flashforge Adventurer 4 and an article explaining the different types of 3D printing and, most importantly, why you really, really don’t want one yourself. If you feel the sudden urge to buy a 3D printer go take a little lie down until you feel better.
Warning: There maywill be spoilers ahead. Seriously. If you keep reading you have no one to blame but yourselves. Oh, I might also say “bullsh*t” once or twice so there’s that.
I have a confession to make. I am a Wheel of Time fan. When the first book came out in 1990 I’d picked it up out of curiosity and was immediately hooked. But the problem was that the whole thing just never seemed to end. It was originally going to be a series of six books and, ultimately, turned out to be fourteenvolumes, each one a massive brick of a book. (How big? Each book in the series averaged 826 pages in paperback format. And there are 14 books. That works out to 11,564 pages total length. Eleven and a half thousand pages. There are almost three thousand named characters. And I, heaven help me, read all of those pages. Several times. What this says about me is open to debate.) And it took so long to finally wrap up the series that I was wondering if I was going to die before it came to a conclusion.
I didn’t die but the author, Jordan, diddie before it was finished. Fortunately they found an author who was quite possibly even better at this than Jordan himself was, and the final three volumes were excellent. Brandon Sanderson turned out to be the perfect choice to replace Jordan. Sanderson wrote the last three volumes, wrapped everything up to everyone’s satisfaction (well, to my satisfaction at any rate. There were some who were not pleased with the ending but they can go clutch their pearls elsewhere) and that was that.
Or was it? Hardly had the series wrapped up than rumors started that there was going to be a WoT movie which we fans openly laughed at. You can’t take what is basically an eleven and a half thousand page novel and turn it into a two hour movie. You couldn’t even take one plot line from the books and turn it into a movie without eliminating 99% of the story to make it fit.
If someone were to make a video out of it they’d have to go down the same road as the Chinese costume dramas which run literally 50, even sixty or seventy hours. “The Untamed”, for example, is a historical fantasy drama that is basically a 50 hour long movie broken up into one hour chunks, and “Ten Miles of Peach Blossoms” (also known as Eternal Love) is another fantasy drama that runs almost 60 hours. (Both of those are on YouTube, by the way, if you ever have a week or two with nothing else to do. I’m not sure if I should recommend you give them a try or not. These things are definitely an acquired taste, at least as far as us westerners are concerned. And often they end with everyoneyou like dying in the end.)
But then along came Amazon and they said hey, guess what? We’re going to do the Wheel of Time! I was neither impressed nor optimistic about what the results would be. But I’ve seen the first three episodes now and so far it is very, very good. Mostly. There are some things going on that don’t make a lot of sense, even rub me the wrong way.
The casting of the main characters seems – oh, how can I put this… Not quite right? Just a bit off? And so does the portrayals of those characters.
The main characters are Rand, Matt, Perrin, Egwene, and Nynaeve. (And to a lesser extent, Moiraine and Lan.) These five people are basically all kids, teenagers, or supposed to be. But except for Rand they seem far too mature both physically and mentally. Perrin especially but also Nynaeve and Egwene. Rand is the only one of the bunch that seems to actually be following the character development as portrayed in the book.
Matt… This is where things start to rub me the wrong way. In the book he is a jovial, fun loving prankster at first. The video version of Matt is more crude, more, well, nasty. He comes off more as a petty thief and mildly nasty little git, to be honest. Well, okay, I suppose I could give them some leeway. I suppose they could take him in that direction. But then…
Then we come to Perrin and dear lord that’s where things start to get strange. In the books Perrin is the same age as Matt and Rand, basically a teenager. But here they have Perrin already married to someone named Laila. And for no apparent reason that I can determine. This is a huge problem because a major part of his story revolves around his relationship later with Faile Bashere. Unless they’re planning on totally rewriting his entire relationship with her later he can’t be married now to Laila.
So they fix that problem by almost immediately killing Laila in the most horrific and emotionally wrenching way possible. And there is absolutely no reason for doing any of it! None.
The showrunners claim they did that to fill out Perrin’s backstory. Bullshit. Perrin has no such backstory involving a romantic relationship. At one point he muses that if he’d stayed in Two Rivers he might have eventually ended up married to someone named Laila, but he has no relationship with her and she never actually exists as more than a name mentioned in passing. There is no point in introducing a character and a marriage that never existed in the first place, only to then brutally and horrifically kill off the character to fill out a backstory that didn’t exist in the first place.
So why do it? To make him a more, oh, haunted and brooding character than he already is? Or basically just an excuse to throw up more blood and horror and shock in the middle of a scene that is already about as crammed full of blood and horror as it can get?
And speaking of blood and horror, now we come to the Whitecloaks, the Children of the Light… Oh, brother. Okay, we know the Whitecloaks are nasty, hypocritical bastards but they are cast as so over the top evil and sadistic that they’re almost a parody of themselves. The writers should be reminded that you can take things too far, and they did exactly that.
Okay, okay, I’m done with the ranting now. Let me get on with this. Except for the almost immediately brutally killed wife who didn’t exist in the first place and some minor quibbles about some of the characterizations, I have to admit I was impressed with what I’ve seen so far. Moiraine and Lan are spot on and beautifully rendered characters. As is Thom Merlin. The red sisters are a bit over the top but not, overall, horribly done.
The characterization of Rand seems almost spot on. He is, basically, little more than a well meaning country bumpkin at the start of the books, a teenaged kid with no experience outside of his little community, being thrust into a world he doesn’t understand and has difficulty comprehending.
And Logain – wow… Alvaro Morte plays Logain and dear lord he is good. Very, very good.
The visuals are outstanding. The scenery is stunning. The special effects are decent.
Overall it looks good so far. But what they’ve done with Perrin so far makes me a bit nervous. If they’re already inventing characters out of thin air for absolutely no reason at all just to immediately kill them off as horrifically as possible, it make me a bit anxious.
ES (Eldest Son) has had my old 3D printer for some time now using it to print parts for, believe it or not, a replacement power supply for IBM PC Junior computers. Seriously. The PC Jr, what has to be one of the worst computers ever made, is now something that people are looking back at with affection. IMO this is sort of like looking at, oh, toe fungus with affection, but some people are like that, I suppose. People his age and a bit older are experiencing a wave of nostalgia for old computers and are repairing them, running them and playing with them, and the power supply of the PCJr seems to be one of the more fragile parts of the system. So he came up with a design for a circuit board, has a company make them for him, then adds the components, prints various brackets using the 3D printer and makes a tidy profit off it.
I now have the thing unpacked and up and running and I am pretty impressed with it so far. I’ll be talking about it in depth in about a week. I would have covered it before now but I ran into some issues that that turned out to not be a problem with the printer but with the filament I was using. That delayed things until I figured out what was going on.
Yes, we got snow! Well, not now. All of that stuff up there melted away rather quickly, alas, but still it was, for a brief time, winter here in north eastern Wisconsin. It has been cold here, though, with night time temperatures down as low as 18F, or about -7C for those of you outside the US who are reading this. (When in heaven’s name are we ever going to get in synch with the rest of the world when it comes to measurement systems?)
Let’s talk kimchi. How the hell did an aging, grouchy old ex-farmer get hooked on kimchi of all things? Well, I did and no, I am not suffering from dementia.
For those of you who aren’t familiar with it, kimchi is basically, well, sauerkraut. Fermented cabbage. Only sauerkraut kicked up a few notches. Well, kicked up a lot of notches, I suppose. It’s loaded with garlic and massive amounts of red pepper and some onions, with a bit of fish sauce and soy sauce thrown in. I love the stuff. The rest of the family looks at me very odd when I bring it out, but then the rest of the family looks at me very oddly most of the time anyway so I don’t care. I love hot, spicy food to begin with. And thanks to the popularity of K-dramas on Netflix and other streaming services, kimchi, which is a staple of every Korean household, has started to become more popular and even our local Walmart carries it. Well, not for long because I buy it up as soon as they restock it. That’s the only reason I go to Walmart. Seriously. I scarf up all their kimchi and don’t come back until they get a new delivery.
It’s not cheap though, which makes sense since they import the stuff from Korea. So could I make the stuff myself? Basically it’s just fermented cabbage, right? So I found a recipe in, of all places, Ball jar company’s canning cookbook and I decided to try it, and it’s now bubbling away down in the basement and we’ll see what happens.
It’s easy to make. About 2 pounds of napa cabbage, sliced, lots of garlic, a couple of tablespoons of fish sauce and soy sauce, about a quarter cup of salt, and lots and lots and lots of Korean red pepper. There’s about a cup and a quarter of ground Korean red pepper in that mess up there. Then you shove it into jars, put a weight on top of it to keep the cabbage submerged in the liquid, and stick it in a cool, dark place and let it bubble and churn and do stuff for a while and keep your fingers crossed
That’s been sitting down in the basement for about 2 days now and apparently I’m supposed to taste it after 4 days.
MrsGF tells me that what it’s going to actually taste like is going to be different for just about everyone who makes the stuff because wild yeasts or bacteria or something like that in the environment that actually cause the fermentation process are going to be different in every home, so the actual flavor could be quite a bit different from what I’m used to. And even the exact same recipe fermented in a different location could have a much different flavor. So we’ll see.
I have to admit that this kind of thing goes against my basic instincts. I grew up in a household where the only spices in general use were salt and pepper, and not much of that, where vegetables were cooked until they turned gray and meat was not treated very gently. I loved my mother dearly but lord, her pork chops… you could have re-soled shoes with her porkchops. Her idea of food safety, well, I’m not sure where she got it from but she had the idea that if there was any kind of pink in even the thickest cut of meat, it was going to kill you.
So I wonder sometimes where my love of highly spiced foods comes from, along with my enthusiastic embracing of some foods that would have made my mother turn white with horror. She’d have had a heart attack if she’d ever heard of sashimi, which I absolutely love and she’d have probably wondered about my mental health if she’d seen me eating jalapenos right off the plants out in the garden.
But even so, letting jars full of cabbage just sit there in the basement at room temperature for days, even weeks at a time frankly makes me nervous.
I just took a peek at it. It’s been sitting over there in the dark for two and a half days now and it doesn’t look like anything is actually happening. No bubbling or anything, it hasn’t tried to crawl out of the jars to escape. And I have to admit that it smells absolutely amazing right now, so that’s hopeful? Maybe?
And to wrap this up, how about a cat?
That’s Martin up there, one of son’s and his fiance’s cats. He’s a rescue kitty and he is amazingly beautiful, incredibly smart, breathtakingly stupid, adorable and annoying all at the same time. So pretty much a typical cat.
I generally get up a little before dawn and just for the heck of it I went outside not long after sunrise and found our roses covered in frost and got these photos before it melted. Just cell phone images because by the time I’d have got in the house, got out the good camera and got back out the frost would have melted. These aren’t as good as they could have been I suppose, but I like them. You should be able to click or double click on the images to see a better resolution version.
Oh, the excited part? Once you scroll down past the photos I’ll tell you about that.
There’s a lesson to be learned here for amateur photographers. You don’t need to go traveling to exotic places to get really interesting photos. Just look around in your backyard.
Now, the fun part. One thing I’ve done for years now is fiddle around with 3D printing. I’ve had a Flashforge Creator Pro 3D printer for years now, although my son has had it for some time using it to print parts for a laser engraver/cutter and other stuff.
I’m getting a new printer, the brand new Flashforge Adventurer 4 that just hit the market this fall. Flashforge came out with the Adventurer 3 shortly before this one came out and this is basically the same thing only with about twice the build capacity as the 3 version. I’m really looking forward to getting my hands on this one.
This is supposed to be a more or less ‘turnkey’ printer, just unpack it, put in the filament and start printing right out of the box. The extruder can also operate at a wider range of temperatures meaning it can use just about any type of filament on the market. I liked my old Flashforge a lot but it is definitely showing its age and its inability to work at the higher temperatures that some types of filaments require limited it to using only ABS and PLA. The print quality of this thing is supposed to be outstanding from the preliminary information I’ve dug up.
Supposedly there are some issues with things like WiFi connectivity and cloud access. Neither of which I care about in the slightest. I don’t want a printer connected to the “cloud” in the first place and my preferred method of getting files to the printer is via a flash drive, not over the network.
Anyway, this puppy is supposed to be here within the next seven to ten days so keep an eye out for that in the future.
This is the Autonomous LaserWeeder from Carbon Robotics. And this could be a real game changer for agriculture. This is an AI operated, self driving weeding machine equipped with powerful computers, cameras and high power lasers. Using GPS and it’s own cameras and inertial guidance systems, this thing will travel the fields by itself at about 1 – 2 acres per hour, using its lasers to blast anything that isn’t the crop you’re trying to grow. It will run about 20 hours on a tank of fuel.
No labor costs, no chemicals, no weeds.
And this is not a prototype. This piece of equipment is in operation now, working in carrot and onion fields, and according to the company it saves farmers up to 80% or more of the costs normally associated with manual weeding, cultivating and herbicides. They are already testing it on other row crops and it works just as well on them as it does with carrots and onions.
Could we be looking at a future where we’d no longer be drenching crops with toxic chemicals? Maybe.
There are some problems. Aren’t there always?
First is cost. I wasn’t able to actually pin down a price on these things even though they claim they are in actual use right now. I scrounged around for a considerable amount of time and couldn’t come up with a definite purchase price for one of these things. But I imagine they are most definitely not cheap. (Well nothing is cheap when it comes to ag equipment. You can easily drop a half million bucks on a decent sized tractor these days.) Farmers of all types operate on razor thin profit margins. Just a few cents per pound increase in costs can be enough to put a farm out of business. But considering that right now human labor of any type is damned near impossible to find and the costs of herbicides are skyrocketing, if you can find them at all (we’re having a glyphosate shortage right now) even an expensive machine like this could be economically viable, especially if you can get a premium price for your produce by marketing it as herbicide free.
Second problem is size. These things are the size of an SUV, but even so they are tiny by modern agricultural equipment standards. And they are slow. They only cover about an acre or a little more every hour. A single large corn or soybean grower plants thousands of acres every year. Collectively we grow tens of millions of acres of corn, soybeans and other crops. These things, in their current form at least, could never deal with that much acreage. A typical soybean or corn grower would have to have dozens of these things running 24/7. Could the technology be scaled up to work with large ‘industrial’ growers? Maybe? We don’t know yet. I’m sure they’re going to try.
But that being said, this could be a real game changer for vegetable growers. I really hope this turns out to be a viable method for dealing with weeds.
Ever go through your old photos and sit and stare at one and ask yourself “Why the heck did I take that photo?” I was going through some old files and came across these… Well, I was going to start deleting them but then I remembered that even though the photos are ridiculous there are stories attached to some of them.
I know where and when this one was taken, Jamestown, NY. But why?? Why did I want a photo of the ice arena? Don’t get me wrong. I love Jamestown. It’s a really nice city located in a beautiful part of New York, the people were amazing, friendly and helpful, and it has some great restaurants. MrsGF, our oldest son and I spent an incredibly fun evening in an Italian restaurant late one evening a block or so from our hotel. We were the last ones there and when the owner found out we’d come there all the way from Wisconsin he came out with a couple of bottles of wine and we sat talking and drinking and telling stories until way too late.
But why the heck did I take this picture? No idea. But because it reminds me of that crazy night at that little Italian restaurant it’s a keeper.
You probably don’t know anything at all about the Hotel Marsh. I certainly don’t, except that it’s in Van Wert, Ohio. But apparently a couple of days before I was in Jamestown I was in Van Wert, Ohio, and I took a photo of a hotel. Why? I have no idea. But I do remember a bit about Van Wert and about a rather curious restaurant called Baily Eats (I think that’s how it’s spelled). It was a very curious, very old fashioned place, right across the street from the city offices where I had some of the best pork, dumplings and sauerkraut I’ve ever had.
This is a junkyard just outside of Owatonna, Minnesota. Owatonna, if I remember right. And, well, why in the world did I take this photo? I have no particular fondness for junk yards. And as junkyards go this one isn’t very interesting. This was the very first trip I took on the BMW when I’d first bought it. I ended up going through Minnesota, through South Dakota and into Wyoming and Montana on a two week trip by myself.
The backs of people’s heads? I remember being on that boat. It was an island tour of some sort someone talked me into going on and I vaguely remember being bored for the the entire three hours the tour took. Bored enough that I apparently resorted to taking photos of the backs of people’s heads? I actually have several like this. But it’s from a trip I took with one of the boys up to the Apostle Islands so I’ll probably keep it.
A tree. Ooo, how exciting. Not just a tree, but two trees. One big, one small. And a bush off there to the left! Where the heck was this? Why did I take the photo? Why didn’t I delete it? I honestly have no idea where this is or why I took the photo.
I do remember this. This is a small town in Kentucky. It was a pleasant little place. We’d stopped at a cafe for breakfast on Saturday and sat there listening to a bunch of old guys at the table next to us talking about buying burial plots for their wives. Seriously. There were about 5 guys, all in their 70s or maybe even in their 80s, and the topic of conversation was where they were going to bury their wives when they died. MrsGF and I didn’t know if we should start laughing or run away as fast as we could. MrsGF came to the conclusion that they were “performance artists” or something like that, hired by the cafe to give the tourists something to talk about.
But of all the stuff I could have photographed in that town, why did I take this picture? There isn’t even anything that identifies the town. It could be any of a thousand different small towns I’ve been through.
Okay, I’m bored now, although not as bored as you are. Time for me to go do something useful. Like maybe pet the cat